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Downloads*

Audio Downloads


.mp3 format – compressed audio
16-bit 44.1kHz .wav format – Redbook / Audio CD quality
24/192 Resolution — down converted from DSD x 2 masters and the highest resolution offered for my improvs.

Improvisations Vol. 2
08-27-21 thru 09-01-21

.mp3 format
16-bit 44.1kHz .wav format
24-bit 192kHz .wav format


Tonal Improvisations
Vol. 1
(meditative)

.mp3 format
16-bit 44.1kHz .wav format
24-bit 192kHz .wav format

Non-Tonal Improvisations
Vol. 1
(abstract)

.mp3 format
16-bit 44.1kHz .wav format
24-bit 192kHz .wav format

Tonal/Non-Tonal Improvisations
Vol. 1
(freeform)

.mp3 format
16-bit 44.1kHz .wav format
24-bit 192kHz .wav format


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Scores

Scores were all transcribed by Howard Begun from the recordings. They can provide insight into how the works were constructed.

Reverie, Improvisation

The most accessible of the 3 offered. It has always felt ambient in nature, relaxing, peaceful, gentle.
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Abstract Waltz, Improvisation

Intense, polyrhythmic, mostly in 6/8 with several meter changes (3/8; 4/8; 5/8; 7/8; 8/8; 9/8).
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Invention, Improvisation

Rhythmically meter free, non-tonal, independent parts.
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June, 2000 Improvisation

A chromatic, rubato opening dissolves tonal center in spacious resonance. At tempo, restless triplets propel a fluid balance of lyricism and abstraction.
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Sept., 2002 Improvisation

A rubato meditation over sustained bass tones and shifting chromatic harmonies creates a suspended, inward atmosphere. Lyrical upper voices and brief surges of fuller chords shape a restrained but quietly intensifying arc.
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July, 2003 Improvisation

A lyrical, rubato improvisation in a warm five-flat tonality, blending cantabile lines, delicate triplets, and a restrained accompaniment into an intimate, nocturne-like atmosphere.
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May, 2004 Improvisation

A freely unfolding piano improvisation with elastic tempo and fluid phrasing. Chromatic lines and shifting groupings create tension and release within an expressive, post-tonal language.
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Hymn, July, 2003 Improvisation

The piece expresses quiet reverence—intimate, patient, and spare—letting tone and space bear the emotional weight.
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Sharon’s Song, March, 2003 –

What began as a student piece became an elegy when I learned of my father’s passing. This is the only piece in this collection of work that was composed—not improvised. It was completed in the week of his departure and it stands as a remembrance, dedicated to him in Sharon’s name.
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Möbius Image

Whether a poster print or a high resolution transfer for framing, the large file size will ensure quality.

Meditative —

Download a .pdf of the
Tonal (meditative) Möbius art
here.

Abstract —

Download a .pdf of the
Non-Tonal (abstract) Möbius art
here.

Freeform —

Download a .pdf of the
Tonal / Non-Tonal (freeform) Möbius art
here.

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*These downloads are free of charge.
Voluntary donations encouraged and appreciated.
Any amount to the following gratefully accepted:



The Leah Rosin-Pritchard '19 Endowed Fund